Some recent work

Here are a few pictures of recent work, in different materials.

First a bowl and memorial, both made using Caithness stone:

Next, some York stone memorials:

The last one is in Holkham Hall churchyard. I hope you find these interesting….

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A road trip to The Black Isle

Dan my trusty assistant and I have been installing a stone in Cromarty, and exploring some of the historic sites here. Last time I came up this way I visited the enormous Sueno Stone near Elgin, now encased in glass, and the Nigg stone. These Pictish stones have both been unearthed and re-erected. They are from around the 8/9th century. Here are some old pictures:I was commissioned to make a stone to go in Cromarty cemetery. I had previously installed one in Kirkmichael. These were both Caithness stone, which is a hard mudstone, rather like slate. It can be highly polished, but I opted for the more natural and rugged riven finish. The more recent one for Calum is a neutral grey colour, it will become a bit more rusty in colour over time, as can be seen with the other stone here, which I installed about 10 years ago.Kirkmichael is a wonderful small church that has recently been restored. During the restoration many wonderful stones were unearthed and they are on display there. They’re amazing and some are from the 13th and 14th centuries. They feature swords alongside the crosses, tree of life imagery, steps of Calgary, and some of the later ones have sextons tools, imagery relating to death and spirituality, the mort bell, hour glass etc. Feast your eyes on these.

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Recent work in Aldborough

We installed a stone in Aldborough the other day, and it was a chance to see some of my previous commissions there, some of which are shown below. They vary considerably in style, design and materials. I have used all my own fonts on these, hand drawn and hand carved. I hope you like them, the older stones are starting to weather nicely now.

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Moleanos limestone from Portugal

The stone above was a memorial to a friend who ran Aldborough antique shop. The stone has references to some of his furniture and the bell that was attached to his door and rang upon entry. I miss Terry, he was a real character. He was always giving things to my kids…..

Here are a few more

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Crossland Hill York stone

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Crossland Hill York stone

Above is a York stone memorial showing the front and back of the stone. Marianne was a Moari, and the symbolism on the stone reflects her ancestry. The raised carving of the Koru on the front was copied from a bone pendant she wore and the fern carving on the back symbolises new life, growth, strength and peace.

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Woodkirk stone, from Yorkshire

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Woodkirk stone, from Yorkshire

This stone above was to a local woman of German descent, and the design and lettering was created to give a Germanic feel to the stone. I designed and drew these letters specifically for this commission. It’s weathering beautifully.

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Woodkirk stone, from Yorkshire

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Woodkirk stone, from Yorkshire

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detail from the Cook memorial above

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detail from the Denham memorial above

Above are two more York stone memorials, one featuring a lily carving and another an Ethiopian cross.

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Welsh slate monolithic piece

This wonderful piece of stone was one I came across in a quarry in Wales. I knew Alan, he was a lovely lad, a keen fisherman. The stripes made me think of water.

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Above, another piece of York stone, carved on both sides as you can see. Words by Mother Julian of Norwich adorn the back with an early Christian inspired depiction of incised doves on the back, complimenting the relief carvings on the front.

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Honed Welsh slate

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Honed welsh slate

 

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detail from Penny’s stone

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detail from Penny’s stone

This one is Welsh slate. Penny was my friend and neighbour and was very into her flowers. She was a lovely woman, missed by many. Working with slate gives a very different effect, it’s more akin to illustration than sculpture. The sharpness of the lettering and level of detail that can be achieved in slate is very challenging and rewarding.

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Nabresina limestone from Croatia/Italy border

This last image shows a cross made using Nabresina limestone. I quite like the simplicity of this, and the subtle bluey colour of the paint.

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Bale Church piece

I recently installed my second memorial in Bale churchyard in Norfolk.

The first I carved for here was to an inventor and featured some nice cogs on the back. This second memorial features an angel head reminiscent of the 18th century style, along with the cross keys on the back and a runner…..I also really liked 4 deeply carved panels on the font and some lovely inscriptions in the floor

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Stonecarvers Ireland Road Trip

Dan, my assistant, and I have been working in Ireland for a few days and covering a fair few miles.

Last Autumn, coincidentally I was asked by three clients to carve memorials in Ireland. They seemed to be struggling to find designer makers in Ireland making this kind of hand carved work. I was able to orchestrate things so we could bring them over and install them together. We both love Ireland, the music and landscape and Dan’s uncle lives in Kerry, so we popped across to see him too.

Our first stop was Clandeboye cemetery in Bangor, near Belfast, where we installed this Welsh slate memorial.

We stayed in the Cairn Bay Lodge B&B which was really good with amazing views and food. In the afternoon we drove to the Giant’s Causeway, somewhere I’ve always wanted to go.

We then had an evening in Belfast, ending up in The Points watching champion fiddler Niall Mcclean.

The next job was down in Kilkenny, but we decided to go via Connemara to check out the marble. We saw a bit but the yards were closed. We saw huge quarry blocks that were ratchet-strapped to stop them falling apart, which was alarming. It’s mainly green and riddled with cracks. I was told that it’s soaked in glue prior to sawing it in order to strengthen it. Nevertheless it’s quite attractive.

The next job was for a couple in Kilkenny. The stone was Mountcharles Sandstone from Donegal. This looks similar to Yorkstone but seemed twice as heavy and was harder to work. The carved element was inspired by a ring. I carved it in a panel, but also raised it beyond the level of the face of the stone, by starting off with a raised circle. This enabled me to make it bolder and for it not to appear to be sunk into the stone.

We then visited a local stonemason who generously took us to see the Kilkenny limestone quarry in Paulstown. This was awesome. It’s vast.

The clients took us out for a lovely meal and drinks in Kilkenny city, which is a really nice place.

The next day, we moved on to Enniskerry to install a Yorkstone memorial for Katy French. She was a model, celebrity and charity worker well known in Ireland. The tree of life carving is a simplified version of one I carved some years ago.

After a night in Stillorgan (!) We headed off to Dublin to explore, and it was during gay pride, so the city was vibrant, to say the least. We ended up in Devitts Bar watching a great duo, including a wonderful squeezebox player called Neil Harney. Here’s a snippet taken as my phone died.

We then headed west for the rest of the time, enjoying Kenmare and the Kerry/Cork region. One highlight was seeing Dan’s cousin Aisling Urwin play harp and sing. She’s so talented. Her voice is angelic and her playing sublime. She’s about to tour Europe and America over the coming months so keep an ear out for her.

It was interesting to see how there seems to be very few carvers in Ireland and how there’s a demand for well designed, hand carved bespoke memorials. I’m looking forward to coming over again.

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A plaque in Westminster Abbey

This exciting commission was delivered recently and will have been set into the floor by the Abbey’s own stonemason ahead of a gathering to remember Wesley Carr, the previous Dean of Westminster who passed away last year. It’s exciting to have a piece set into the fabric of the building, now part of the building itself and with an eclectic set of neighbours also set in the floor. Prominent poets, scientists, politicians, musicians and so on. It’s an interesting place to visit as a lettercutter.

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Kilkenny limestone water feature

I recently made this piece for a private garden in Norfolk.

The client saw my work in an exhibition in Houghton Hall, run by Norfolk by Design. The process of making such a piece is very laborious, as the stone is really hard. This makes is more rewarding in a way, and the hardness of the material is beneficial in terms of durability and frost resistance. It also me and the material can be polished to give very different surface tones and texture, which is something I like to explore. Here are a few images of the various stages. Special thanks to my assistant Dan Meek for his expertise (see video at the bottom) and our local hero Steve Cooke of A&B Clark, whose expertise with moving stone is invaluable.

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