HOORAY!! This stone has taken a while to ‘realise’ from selection interview in November 2011 to installation today. We had an early start this morning as we had to avoid traffic and Hospital activity as much as possible and agreed to arrive on site at 5am to cause as little disruption as possible. This meant the crane arriving at my workshop at 4am this morning, so alarm set for 3.30am…….
…..then we made the lift and with a bit of fiddling about getting it in exactly the right position, (and trying to get the straps out!) the job was done it a matter of minutes. It feels like the end of an era! The stone has been sat outside my workshop for over 2 years, I’ve enjoyed having it around and watching the light play on it and seeing it change in different conditions. I really hope that this piece is well used as a resting place and that people stop and touch it and enjoy it. While making this piece I was keen to create a textural piece, hopefully a therapeutic object with a grounding influence within this clinical setting with its angular architecture and hard lines. I hope that it draws people in and makes them want to touch and explore the different surfaces; the natural facets, the honed smooth areas and the claw-tooled and punched elements, as well as the carved surfaces. You will notice that on both of the smaller sides there is evidence of the quarrying of the block, you can still see that two of the drill holes are there which are how the block is split in the quarry; a series of holes are drilled in a line and then wedges called ‘plugs and feathers’ are hammered in in sequence until the block splits. I wanted to leave these in as they tell part of the story of the block. This sculpture was commissioned by The Hospital Arts Project and The Organ Donation Department (not using public money, but funded by private individuals). It was important to reflect the theme of organ donation in the words. It was difficult to find some text that seemed appropriate but then I had the idea of using wording inspired by Kahlil Gibran’s ‘The Prophet’. The material is York stone (Woodkirk stone) and it weighs 3.4 tonnes. Thanks to RJ Crane hire for the lifting.
a few close-ups follow……………….