Well, it’s been a weird few months hasn’t it, with the COVID situation. I have pretty much been able to continue as my design room is at home, and we have been careful to alternate time in the workshop, and Dan (my long suffering dust maker!) has been able to carve things at home during the worst of the lockdown.
So here are a few pictures of what we’ve been working on recently.
Last week I was working in Norwich Cathedral adding names to two stone plaques. The material seemed to be Nabresina Gold, which I have carved before. It’s quite hard, and ‘plucky’ in places, so I had to be extremely careful chasing in the serifs. The previous inscriptions were of varying quality, and stylistically a bit all over the place (for example the narrow 0’s on the High Steward numerals, which were somewhat at odds with what had gone before). I drew lettering that was close to, but not copying some of the better examples, attempting to create some harmony with the original carving and letterforms, and hopefully set a good precedent for future additions.
Some of the earlier inscriptions were quite poor, and some not even set out square on the tablets. It was awkward work as these letters were only 20mm tall, and there were stone columns in the way on both sides, which meant that some physical contortions were necessary. I can see why previous carvers struggled…..
Here are some pictures of my work on this. The Bishop’s inscription is yet to be gilded, and has an undercoat at present in these pictures.
I look forward to gilding the Usher inscription, it’ll look great. It was a lovely experience, with the choral and organ accompaniment. I hope to be lettercutting there again soon.
Dan my trusty assistant and I have been installing a stone in Cromarty, and exploring some of the historic sites here. Last time I came up this way I visited the enormous Sueno Stone near Elgin, now encased in glass, and the Nigg stone. These Pictish stones have both been unearthed and re-erected. They are from around the 8/9th century. Here are some old pictures:I was commissioned to make a stone to go in Cromarty cemetery. I had previously installed one in Kirkmichael. These were both Caithness stone, which is a hard mudstone, rather like slate. It can be highly polished, but I opted for the more natural and rugged riven finish. The more recent one for Calum is a neutral grey colour, it will become a bit more rusty in colour over time, as can be seen with the other stone here, which I installed about 10 years ago.Kirkmichael is a wonderful small church that has recently been restored. During the restoration many wonderful stones were unearthed and they are on display there. They’re amazing and some are from the 13th and 14th centuries. They feature swords alongside the crosses, tree of life imagery, steps of Calgary, and some of the later ones have sextons tools, imagery relating to death and spirituality, the mort bell, hour glass etc. Feast your eyes on these.
I recently installed my second memorial in Bale churchyard in Norfolk.
The first I carved for here was to an inventor and featured some nice cogs on the back. This second memorial features an angel head reminiscent of the 18th century style, along with the cross keys on the back and a runner…..I also really liked 4 deeply carved panels on the font and some lovely inscriptions in the floor
This exciting commission was delivered recently and will have been set into the floor by the Abbey’s own stonemason ahead of a gathering to remember Wesley Carr, the previous Dean of Westminster who passed away last year. It’s exciting to have a piece set into the fabric of the building, now part of the building itself and with an eclectic set of neighbours also set in the floor. Prominent poets, scientists, politicians, musicians and so on. It’s an interesting place to visit as a lettercutter.
I finished setting up my stand today, and had a bit of a wander about. There’s an exciting array of designs by some of the country’s top craftspeople. Furniture, pottery, wallpaper, textiles, lighting, and all sorts of innovative products. Here is a snapshot…. pictures taken during the set up. Come and see me there. At the bottom of this post you will find a private view invitation and complimentary pass. You can download, complete and print these for free entry. I hope to see you there.
I made this yesterday, it’s some kind of imported sandstone. I’m not sure how much I like it…. I had an ancient mesoamerican carving in my mind, but this is not as nice. What do you think? I know it’s derivative, but it’s also a bit timeless and spontaneous….