Last week I was working in Norwich Cathedral adding names to two stone plaques. The material seemed to be Nabresina Gold, which I have carved before. It’s quite hard, and ‘plucky’ in places, so I had to be extremely careful chasing in the serifs. The previous inscriptions were of varying quality, and stylistically a bit all over the place (for example the narrow 0’s on the High Steward numerals, which were somewhat at odds with what had gone before). I drew lettering that was close to, but not copying some of the better examples, attempting to create some harmony with the original carving and letterforms, and hopefully set a good precedent for future additions.
Some of the earlier inscriptions were quite poor, and some not even set out square on the tablets. It was awkward work as these letters were only 20mm tall, and there were stone columns in the way on both sides, which meant that some physical contortions were necessary. I can see why previous carvers struggled…..
Here are some pictures of my work on this. The Bishop’s inscription is yet to be gilded, and has an undercoat at present in these pictures.
I look forward to gilding the Usher inscription, it’ll look great. It was a lovely experience, with the choral and organ accompaniment. I hope to be lettercutting there again soon.
We installed a stone in Aldborough the other day, and it was a chance to see some of my previous commissions there, some of which are shown below. They vary considerably in style, design and materials. I have used all my own fonts on these, hand drawn and hand carved. I hope you like them, the older stones are starting to weather nicely now.
The stone above was a memorial to a friend who ran Aldborough antique shop. The stone has references to some of his furniture and the bell that was attached to his door and rang upon entry. I miss Terry, he was a real character. He was always giving things to my kids…..
Here are a few more
Above is a York stone memorial showing the front and back of the stone. Marianne was a Moari, and the symbolism on the stone reflects her ancestry. The raised carving of the Koru on the front was copied from a bone pendant she wore and the fern carving on the back symbolises new life, growth, strength and peace.
This stone above was to a local woman of German descent, and the design and lettering was created to give a Germanic feel to the stone. I designed and drew these letters specifically for this commission. It’s weathering beautifully.
Above are two more York stone memorials, one featuring a lily carving and another an Ethiopian cross.
This wonderful piece of stone was one I came across in a quarry in Wales. I knew Alan, he was a lovely lad, a keen fisherman. The stripes made me think of water.
Above, another piece of York stone, carved on both sides as you can see. Words by Mother Julian of Norwich adorn the back with an early Christian inspired depiction of incised doves on the back, complimenting the relief carvings on the front.
This one is Welsh slate. Penny was my friend and neighbour and was very into her flowers. She was a lovely woman, missed by many. Working with slate gives a very different effect, it’s more akin to illustration than sculpture. The sharpness of the lettering and level of detail that can be achieved in slate is very challenging and rewarding.
This last image shows a cross made using Nabresina limestone. I quite like the simplicity of this, and the subtle bluey colour of the paint.
Dan, my assistant, and I have been working in Ireland for a few days and covering a fair few miles.
Last Autumn, coincidentally I was asked by three clients to carve memorials in Ireland. They seemed to be struggling to find designer makers in Ireland making this kind of hand carved work. I was able to orchestrate things so we could bring them over and install them together. We both love Ireland, the music and landscape and Dan’s uncle lives in Kerry, so we popped across to see him too.
Our first stop was Clandeboye cemetery in Bangor, near Belfast, where we installed this Welsh slate memorial.
We stayed in the Cairn Bay Lodge B&B which was really good with amazing views and food. In the afternoon we drove to the Giant’s Causeway, somewhere I’ve always wanted to go.
We then had an evening in Belfast, ending up in The Points watching champion fiddler Niall Mcclean.
The next job was down in Kilkenny, but we decided to go via Connemara to check out the marble. We saw a bit but the yards were closed. We saw huge quarry blocks that were ratchet-strapped to stop them falling apart, which was alarming. It’s mainly green and riddled with cracks. I was told that it’s soaked in glue prior to sawing it in order to strengthen it. Nevertheless it’s quite attractive.
The next job was for a couple in Kilkenny. The stone was Mountcharles Sandstone from Donegal. This looks similar to Yorkstone but seemed twice as heavy and was harder to work. The carved element was inspired by a ring. I carved it in a panel, but also raised it beyond the level of the face of the stone, by starting off with a raised circle. This enabled me to make it bolder and for it not to appear to be sunk into the stone.
We then visited a local stonemason who generously took us to see the Kilkenny limestone quarry in Paulstown. This was awesome. It’s vast.
The clients took us out for a lovely meal and drinks in Kilkenny city, which is a really nice place.
The next day, we moved on to Enniskerry to install a Yorkstone memorial for Katy French. She was a model, celebrity and charity worker well known in Ireland. The tree of life carving is a simplified version of one I carved some years ago.
After a night in Stillorgan (!) We headed off to Dublin to explore, and it was during gay pride, so the city was vibrant, to say the least. We ended up in Devitts Bar watching a great duo, including a wonderful squeezebox player called Neil Harney. Here’s a snippet taken as my phone died.
We then headed west for the rest of the time, enjoying Kenmare and the Kerry/Cork region. One highlight was seeing Dan’s cousin Aisling Urwin play harp and sing. She’s so talented. Her voice is angelic and her playing sublime. She’s about to tour Europe and America over the coming months so keep an ear out for her.
It was interesting to see how there seems to be very few carvers in Ireland and how there’s a demand for well designed, hand carved bespoke memorials. I’m looking forward to coming over again.
we drove to Cumbria yesterday to install a stone in Carlisle cemetery. It was an experimental piece with raised carvings showing that Daniel (PODGE) was very into his bicycles, and also incorporating a glass element, which really brings the stone to life. The glass was made to order as a one-off by Joseph Harrington, glass sculptor.
I have been working on this stone, and the glass insert is now in place. I like the way the light brings the memorial to life. ‘Podge’ was really into bicycles, so I incorporated the cogs to show this.